Projects & Events

Poéticas de resistência
descolonização e imagem

Poéticas de resistência
descolonização e imagem

poéticas
1/1

Roda de conversa

4 de abril, 19h


Oficina de lambes

6 de abril, 13h30

A Casa do Povo e o Parquinho Gráfico recebem a artista Sallisa Rosa para dois encontros de debate e produção em torno da colonização, com enfoque nos povos indígenas, como processo em andamento. Acompanhe a programação:



Roda de conversa

Descolonização e imagem

04 de abril, quinta-feira, 19h


A conversa sobre descolonização e identidades nativas contemporâneas parte da exibição de imagens propostas por Sallisa, como o fotofilme Oca do Futuro (9 min, 2018), de sua pesquisa e de outros profissionais da fotografia e artistas.



Oficina de lambes 

Poéticas de resistência

06 de abril, sábado, 13h30


A oficina segue com a reflexão sobre poéticas da resistência e processos de descolonização das imagens com a apresentação destes temas no trabalho da artista para que, em seguida, os participantes realizem a produção de cartazes e lambes relacionados às lutas indígenas no atual contexto político.


Para participar desta atividade, é necessário fazer inscrição neste link até dia 01/04. A oficina conta com 15 vagas, 8 para pessoas indígenas, 7 para pessoas não-indígenas.




Sobre Sallisa Rosa


Jornalista, fotógrafa, produtora de conteúdo e artista formada em jornalismo, mestre em criação e produção de conteúdo audiovisual pela UFRJ. Fez o fotofilme Oca do Futuro (2018) e instalação com o mesmo nome para o Museu de Arte do Rio, MAR (2017). Dedica-se a investigações contemporâneas de imagens e temas que a atravessam, como sua própria identidade, o universo feminino, futuro, ficção e descolonização.

Casa do Povo's programming expands the notion of culture, incorporating a large array of activities beyond artistic practices - from health and caring to community issues. The code of colors, filters and tags on the website helps to navigate through this entanglement of people and initiatives. Porous, mutant and critical, the programming allows the institution to structure itself without becoming rigid, to reinvent itself without growing precarious, to internationalize without giving up its local relevance, that is, in order to experiment with other forms of existence.

Regular activities

Courses
We strive to offer a lineup of courses that pique interest in the neighborhood and in Casa do Povo’s groups in residence, based on original and accessible practices (for those who offer, those who welcome and those who attend).


Study groups
In dialogue with the institution's axes, the study groups have various operational modes, some focused on internal processes, discussions and readings and others capable of overlapping into public events programming.

Projects

Commissioned works
Casa do Povo invites artists to develop new works, adapting its physical structure and guaranteeing the full operational existence of each project held here.


Publications
Each publication is understood as an extension of the projects developed and as a part of the events schedule.


Platforms
Combining processes and results, discourses and actions, artistic and academic work, Casa do Povo promotes encounters based on specific themes according to the urgent issues of the day.

Hosted events

Groups in residence can promote public activities that become part of the events schedule. Deliberately discontinuous and fluid, these activities establish close dialogues with the institution's work axes and help make Casa do Povo larger than it is, overflowing with community life.


Projects and proposals can be sent to info@casadopovo.org.br for assessment. At the same time, with the intention of encouraging this movement, an annual open call dedicated exclusively to collective practices has been launched.


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Nossa Voz
Nossa Voz

Nossa Voz is a publication by Casa do Povo. Literally “Our Voice,” the newspaper existed alongside the institution from 1947 to 1964, with texts in Yiddish and Portuguese and an editorial profile aligned with left wing ideals. It was shut down by the military dictatorship, which forced editor-in-chief Hersch Schechter and other contributors into exile. Relaunched in 2014, it continues to dialogue with its historical premises while rethinking its editorial directives.


The editorial committee relies on representatives from a wide variety of areas, meeting regularly to discuss issues concerning the city, memory and artistic practices according to the current political situation.

The publication is distributed free of charge and can be obtained at Casa do Povo during hours of operation, at partner institutions and some commercial establishments in the neighborhood of Bom Retiro in São Paulo.


Access recent issues below.

Click here to see old issues of Nossa Voz (1947-1964)