Projects & Events

50 tons de vermelho [50 shades of red]
Rodrigo Andrade

50 tons de vermelho [50 shades of red]
Rodrigo Andrade


Commissioned works

Among the works of the exhibition-manifesto Rejuvenesça! [Rejuvenate!] that took place from October 2018 to February 2019, there was a large mural flanking the stairs of Casa do Povo, which remains in place after the end of the event. In the vertical ascent of the six flights of stairs leading to the terrace, the visitor is accompanied by quite organic shapes in warm shades, in a scale that ranges from orange to purple. Something about such shapes leads to think about decorative arabesques in movement, or maybe small monsters and fantastic creatures that come up among the imperfections and obstacles of the walls, inhabiting this space of passage of the building.

The visual presence of the work also leaves traces that tell about the process of its making. In different points of the wall, one can notice pencil-made contours that were never continued or filled. Such marks, otherwise easily covered if in paper or canvas, allow to glimpse the displacement of the painting of Rodrigo Andrade towards new and less conventional supports in his practice. The fact of painting directly on the wall, in large format, and without the thickness of oil paint breaks away from his usual techniques.

50 tons de vermelho brings variations of this color that, in the political field, historically alludes to progressive movements. The inscription of these different hues and shapes seems to acquire a precise sense in the walls of Casa do Povo, a place that since 1953 simultaneously welcomes movements affiliated to different sides, yet all of them comprised within values identified with progressive fields.

Casa do Povo's programming expands the notion of culture, incorporating a large array of activities beyond artistic practices - from health and caring to community issues. The code of colors, filters and tags on the website helps to navigate through this entanglement of people and initiatives. Porous, mutant and critical, the programming allows the institution to structure itself without becoming rigid, to reinvent itself without growing precarious, to internationalize without giving up its local relevance, that is, in order to experiment with other forms of existence.

Regular activities

We strive to offer a lineup of courses that pique interest in the neighborhood and in Casa do Povo’s groups in residence, based on original and accessible practices (for those who offer, those who welcome and those who attend).

Study groups
In dialogue with the institution's axes, the study groups have various operational modes, some focused on internal processes, discussions and readings and others capable of overlapping into public events programming.


Commissioned works
Casa do Povo invites artists to develop new works, adapting its physical structure and guaranteeing the full operational existence of each project held here.

Each publication is understood as an extension of the projects developed and as a part of the events schedule.

Combining processes and results, discourses and actions, artistic and academic work, Casa do Povo promotes encounters based on specific themes according to the urgent issues of the day.

Hosted events

Groups in residence can promote public activities that become part of the events schedule. Deliberately discontinuous and fluid, these activities establish close dialogues with the institution's work axes and help make Casa do Povo larger than it is, overflowing with community life.

Projects and proposals can be sent to for assessment. At the same time, with the intention of encouraging this movement, an annual open call dedicated exclusively to collective practices has been launched.

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Nossa Voz
Nossa Voz

Nossa Voz is a publication by Casa do Povo. Literally “Our Voice,” the newspaper existed alongside the institution from 1947 to 1964, with texts in Yiddish and Portuguese and an editorial profile aligned with left wing ideals. It was shut down by the military dictatorship, which forced editor-in-chief Hersch Schechter and other contributors into exile. Relaunched in 2014, it continues to dialogue with its historical premises while rethinking its editorial directives.

The editorial committee relies on representatives from a wide variety of areas, meeting regularly to discuss issues concerning the city, memory and artistic practices according to the current political situation.

The publication is distributed free of charge and can be obtained at Casa do Povo during hours of operation, at partner institutions and some commercial establishments in the neighborhood of Bom Retiro in São Paulo.

Access recent issues below.

Click here to see old issues of Nossa Voz (1947-1964)